Global Arts Corps in the Huffington Post!

Dear Friends,

We’re writing to share an article about Global Arts Corps in the Huffington Post, written by one of our Board members, Arlene Lear.

Arlene has spent the last 35+ years working in international development–the majority of them with Counterpart International–with a focus on building institutional and leadership infrastructure in Eurasia, Southeast Asia, Africa, Latin America, and the Middle East. In the Huffington Post article, Arlene discusses her passion for supporting our work and shares a collection of photos and stories from the recent tour of our Cambodian production, See You Yesterday, to Rwanda.

Arlene writes,

“Led by its Artistic Director, Michael Lessac, the Corps replays and rehearses conflict and reconciliation on stage by giving equal value to the painful memories and lingering fears felt by both victims and perpetrators – unveiling the humanity in each side to provoke mutual empathy and make consideration of reconciliation even possible. What is unique about the Corps’ methodology is that all productions are co-created by its actors who themselves have lived through the results of the conflict being portrayed.

The Corps’ productions have universal appeal as they touch the hearts and minds of audiences daring to examine what it means to be human facing the loss of loved ones, home and identity. Musical elements of the production further stir emotions and reflection about one’s own buried, or not so buried, prejudices and empathy deficits.”

To read the full article, please visit: http://www.huffingtonpost.com/entry/58b07ec8e4b0658fc20f949d

Thank you all for your continued support,
— The Global Arts Corps Team

“The stuff that peace is made of…”

As we begin a new year, we would like to share the quote below with all of you, our friends and donors, from an article written by a drama teacher who witnessed our rehearsals and performances with our Cambodian cast in Phnom Penh.

Thank you for making this work possible over the past twelve months. We ask that you support us again in 2017 by making a tax-deductible donation through our website, or by mailing a check to Global Arts Corps at 790 Riverside Dr. #6P, New York, NY 10032.

“On the floor of the black box there are some 20 actors working together forming the play that is: See You Yesterday, they are all from various parts of the country, with more or less unfortunate backgrounds. They work their way through the memories; there is absolute silence, outbursts of laughter and sometimes someone who breaks down crying. The stage is void of props and furniture, the set is their bodies and with intense physical theatre a story with hardly any words is taking form, it is so clear that I find myself completely immersed to the point that I lose my breath.

Together they tell a story of a genocide they didn’t live through, but that they live with everyday, a story of silence and suppressed emotions. Horrible acts of cruelty that shaped the society for generations to come.”
— Sita Ljungholm Verma, Plays to See

To read the rest of the article, please visit: http://playstosee.com/see-you-yesterday/?platform=hootsuite

Wishing you all a peaceful and courageous New Year,
The Global Arts Corps Team

“Mud was up to here”

From Our Production Development Workshop in Cambodia:
A Note from Michael Lessac

Belle's mother

…Just had our first run-through. For all of us, the directing staff and the circus performers, this was the first time we didn’t just know we were exploring the past…we felt it. One young performer, referring to a Khmer Rouge scene in a muddy rice field, said, “Up until now, when I worked on this scene, on the best days, the mud in the field was up to here (he points to his ankle), but this time it was up to here” (he points to his upper thigh). I had to smile, thinking maybe that was perhaps the most sophisticated statement of acting I have heard in a long time.

A few days later, we were visited by the mother of one of our associate artists, Belle Sodhachivy Chumvan. Belle’s 76-year-old mother, Nou Sondab, was a famous actress before the genocide and survived the Khmer Rouge regime to continue on to be one of the preeminent actresses and singers in Cambodia. Interestingly, she is credited with being one of the first actresses to introduce realistic perceptual acting in the country. When she announced her age to the cast, she took her teeth out to demonstrate what happened when a Khmer Rouge soldier kicked her in the mouth.

At any rate, when I visited her after the run-through (she had tears in her eyes), she said to me through a translator, “These children…they weren’t there, but now they are and it is so good to see that they understand.”

Why else are we Global Arts Corps?

When a present generation plays back the past to the older generation, a fine and beautiful healing communication is achieved. If nothing more, there is an understanding between generations, an empathic acknowledgement of what their elders went through…which is perhaps forgiveness for ourselves as well as for each other. An exchange of gifts.

All best and happy holidays,

Michael Lessac